[Her fingers glide over the keys, deftly pulling the melody from the piano string's. In terms of notes, the song isn't challenging. There aren't fast trills or snarling sixteenth notes layered together to navigate. The complexity in the song comes in how the melody dips and glides from high to mid to low range, as if three voices are singing different parts - two quarrelsome, one mournful.]
She loved them b-both, v-very much. B-but because they h-hated each other, they w-wanted her to ch-choose. They p-pushed and p-pushed, always demanding.
[She speaks in time with the music, the tone of her voice following the melody.]
They a-asked her to s-say which g-gave her m-more power. W-which was the b-better lover. Sh-she could not s-stand it, s-so she th-threw herself from a l-lighthouse.
no subject
She loved them b-both, v-very much. B-but because they h-hated each other, they w-wanted her to ch-choose. They p-pushed and p-pushed, always demanding.
[She speaks in time with the music, the tone of her voice following the melody.]
They a-asked her to s-say which g-gave her m-more power. W-which was the b-better lover. Sh-she could not s-stand it, s-so she th-threw herself from a l-lighthouse.